01
Landing page, archive, and about. Issues live on the web where search can find them, not only in inboxes.
02
A clear promise, a clean form, and the pages that tell a new reader why this is worth their inbox.
03
Your Content agent researches and drafts each issue on a steady cadence. You edit and hit send. The blank page is gone.
04
Tone and format set once from your direction. Drafts arrive sounding like the publication, not like a language model.
Real launches from the publishing side of Willo: content operations that ship on a cadence, not when someone finds the time.
Real launches, not mockups. Every card opens the live site.
You set direction and make the calls. Your agent team does the recurring work, and brings you the decisions, not the busywork.
Content agent
Researches the beat and drafts issues week after week: the consistency that makes or breaks a publication.
Marketing agent
Works on list growth: shareable pages, promotion drafts, and making every issue easy to pass along.
Research agent
Monitors your topic area so drafts start from what happened, not from a blank prompt.
Finance agent
When you add paid tiers or sponsors, tracks the revenue side.
First hour
You describe the beat and the cadence. The site and signup flow are live.
Day 2
Issue one is drafted. You edit it, probably heavily this first time, and the voice notes carry forward.
Week 1
The publication has a home, a rhythm, and an archive page collecting search traffic from day one.
It researches and drafts; you edit and approve. The publications that work keep a human editor's judgment in the loop. Willo's job is making sure the draft is waiting for you instead of the blank page.
Because inboxes don't compound. An archive on the web means every past issue can be found, linked, and shared. It becomes the top of your signup funnel rather than disappearing after send day.
Yes: free list first, paid tier when the audience justifies it. Payments run through Stripe to your account, and your Finance agent tracks subscriber revenue.
The draft still shows up. You can approve from your phone, push it a day, or let a lighter issue go out. The point is the publication no longer depends on your best week to survive your worst one.
Describe the beat. The site, the list, and the first draft are waiting by the time you've picked a name.
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